Ohzamote.
In B2 major (cello).
.
Two loaves are better than one.
For the beakers steady hands.
.
Reflections from the Mediterranean.
Ohzamote
Author Archives: Sam Formosa
Yboriyo
Yboriyo.
In F3 major (cello).
.
Cool summer breeze.
Welcome to the need.
From the harsh heat.
.
Reflections from the Mediterranean.
Ebreocipi
Ebreocipi.
In D3 major (cello).
.
It has been a long.
Since the dust settled down.
No change at all.
As time is not around.
.
Reflections from the Mediterranean.
Bcionama
Bcionama.
In D3 major (sounds like a cello).
.
Beyond the safety of the fence.
Outwards looking straight ahead.
At a distance, you can tell.
The horizons you are at.
.
Reflections from the Mediterranean.
Ohraniaz
Ohraniaz.
In C5 major (soprano).
.
The end of this composition “The Mirror Glows”, is in five voices. Soprano, mezzo-soprano, altos, tenor and bass.
.
#Ohraniaz
Reflections from the Mediterranean.
Seufaneo
Seufaneo.
In D3 major (bass).
.
A sting in a name.
Unfamiliar and grey.
Blank canvas at that.
Uneasiness when said.
.
#Seufaneo
Reflections from the Mediterranean.
Oprewlia
Oprewilia.
In G3 major (bass).
.
The old frog.
Still leaps with both feet.
Feels the trill.
Of splashing water.
.
Reflections from the Mediterranean.
Dorlyflue
Dorlyflue.
In E3 major (bass).
.
Not so clear look.
Still unsure what to do.
But it dawned in a flash.
As the alarm jumps to wake up.
.
Reflections from the Mediterranean.
Souneyzu
Souneyzu.
In F3 major (bass).
.
From chaos comes the hue.
Out of nowhere is not true.
Think back you may recall
Reading pages from a book.
.
Reflections from the Mediterranean.
Ecoltyia
Ecoltyia.
In D3 major (bass).
.
A clear road ahead.
Open to go full ahead.
A bluebird dropped by, said Hi!
And then a change of mind began.
.
Reflections from the Mediterranean.