Yifluelo.
In C major (bass).
.
First on the dot.
Clearing what was at the top.
A new face familiar but not.
Could this be a difference or not?
.
Reflections from the Mediterranean.
Yifluelo
Author Archives: Sam Formosa
Enezpoia
Enezpoia
In B3 major (bass).
.
Sparks flying in the air.
Buzzes down your dreamy hair.
To capture these potent charms.
On a page write them down.
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Reflections from the Mediterranean.
Eighapso
Eighapso.
In A3 major (bass).
.
Silence was the trap.
To flash out faceless sounds.
It didn’t matter day or night.
Light footsteps gave the mouse away.
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Reflections from the Mediterranean.
Harofgio
Harofgio.
In G3 major (bass).
.
On a scorching siesta noon.
A cracking fence expanding too.
The clock ticking away.
Which sounding will last anyway.
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Reflections from the Mediterranean.
Thonzoai.
In F3 major (bass).
Thonzoai.
In F3 major (bass).
.
You moon.
Trying to hide.
Behind a vale.
Of clouds, that sail away.
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Reflections from the Mediterranean.
Teynmatu
Teynmatu.
In E3 major (bass).
.
Circling overhead.
Not a whisper to be heard.
A rhythmic tapping on the ceiling plays.
Fanning through the cooling air.
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Reflections from the Mediterranean.
Uykemero
Uykemero.
In D3 major (bass).
.
Why the clouds hang so right?
Look at them at day or night.
They all seem to be just right.
Close or far.
.
#Uykemero
Reflections from the Mediterranean.
Beubsuia
Beubsuia.
In C3 major (bass).
.
Ligh between pages.
Of many different hues.
To view with understanding.
Then, create your own views.
.
Reflections from the Mediterranean.
Omuateuz
Omuateuz.
In B2 major (bass).
.
Life in a teapot.
May look grim and grave.
While boiling to its boiling note.
Refreshed life in a healthy way.
.
Reflections from the Mediterranean.
Naeldel
Naeldel.
In A2 major (bass).
.
On the wall without a companion.
It clearly states.
Without any hidden additions.
The danger you will face.
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Reflections from the Mediterranean.