Author Archives: Sam Formosa

About Sam Formosa

Conceptual artist, painter, sculpture in ceramics, paper, metal, wood and who make use of his created alphabetical, numerical, and musical notation systems as core foundation of his art work.

Aoymisoti

Zig-zagging throught the imagination.

Aoymisoti.

In C major (French horn).

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Zig-sagging through the imagination.

A new direction, a move so well

Connect the links chain together.

The journey is the one to tell.

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Reflections from the Mediterranean.

Uloifena

The present is today.

Uloifena.

In D major (French horn).

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The present is today.

Dynamic changes in full sway.

Suburbia dances away.

Poetic tradition, creamed by IA, (AI).

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Reflections from the Mediterranean.

Ommfoian

Monumental the font could be.

Ommfoian.

I B3 major (French horn).

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Monumental the font could be.

Or jazzy with a long reach.

When the whirl is done.

The message still survives.

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Reflections from the Mediterranean.

Yolodeio

Fifty red-heads.

Yolodeio.

In G3 major (French horn).

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Fifty red-heads.

Well-neat and packed.

When the need becomes urgent.

They fire from the heart.

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Reflections from the Mediterranean.

Emmouari

Reading these pages.

Emmouari.

In D major (French horn).

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Reading these pages.

Not bulk feeders.

They flicker and consume.

In sight, the grow and ballon.

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Reflections from the Mediterranean.

Cicevitya

When the chips were spread.

Cicevitya.

In C major French horn).

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When the chips were spread.

On a table, M square.

The deal is to be done.

Timing takes the cake.

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Reflections from the Mediterranean.

Nuesmetila

An option tried but not used.

Nuesmetila.

In B3 major (French horn).

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An option tried but not used.

For its sake, it was let lose.

Then, brought back for a review.

Recognize its perfect use.

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Reflections from the Mediterranean.

Turuazen

Between pages.

Turuazen.

In F3 major (French horn).

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Between pages.

Of borrowed text.

Placed in such a manner.

To read without malaise.

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Reflections from the Mediterranean.