Author Archives: Sam Formosa

About Sam Formosa

Conceptual artist, painter, sculpture in ceramics, paper, metal, wood and who make use of his created alphabetical, numerical, and musical notation systems as core foundation of his art work.

Apnneica

Press the on button.

Apnneica.

In E major (viola).

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Press the on button.

Instantly the light is there.

Illuminating the path.

Hopefully one gets over there.

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Reflections from the Mediterranean.

Rafoorso

The edge is close.

Rafoorso

In D major (viola).

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The edge is close.

Less than a foot or so.

Another foot is close by.

Is it mine, or is it yours?

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Reflections from the Mediterranean.

Gogierfu

At lunchtime, they come to visit.

Gogierfu.

In A3 major (cello).

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At lunchtime, they come to visit.

Collecting nectar and pollen away.

Their welcome is cordial and mutual.

But don’t ask me what they say.

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Reflections from the Mediterranean.

Abuutium

Goodbye to yesterday.

Abuutium.

In D major (viola).

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Goodbye to yesterday.

Tonight’s air is filled with destiny.

The wheat’s last hours of standing.

The morning harvest will lively begin.

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Reflections from the Mediterranean.

Rubiutum

Is it just all about the chattering?

Rubiutum.

In C sharp major (clarinet).

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Is it just all about the chattering?

Or verbalizing the visual world?

Or, keeping the silence in slow motion?

When the moment comes for the take.

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Reflections from the Mediterranean.

Fudobeay

A stretch of a long golden sand.

Fudobeay.

In A3 major (cello).

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A stretch of long golden sand.

Wet and hard or feet sinking in.

At a walking pace come effortlessly.

As, step by step comes naturally.

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Reflections from the Mediterranean.

Suarspia

Smile and forget…

Suarspia

In F sharp major (clarinet).

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A small, small picture on the wall.

Of a green wooden door.

No handle or lock.

Just enter without a knock.

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Reflections from the Mediterranean.