Coynolami
In G major.
.
A solution to a problem.
That pops up its daily head.
It’s rhythmic in a sense.
Yet, it pushes forward to progress.
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Reflections from the Mediterranean.
Coynolami
Author Archives: Sam Formosa
Toloema
Toloema
In F major.
.
Neglect and shame.
What would a word be?
We, that marked your word.
We, the ink, the brush and the pen.
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Reflections from the Mediterranean.
Netifona
Netifona
In D major.
.
Slid, slid through the eight-test.
From the brush head to the paper ground.
Leaving marks of mind behind.
As it turns, and turns till it fades till it becomes the ground.
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Reflections from the Mediterranean.
Iakolam
Iakolam.
In B3 major.
.
The eight-form test of paint.
How tight and close to the curve.
Running clean lines.
The longer the line extends.
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Reflections from the Mediterranean.
Desokoy
Desokoy.
In A3 major.
.
Unknown writings.
Slowly began to speak.
Laid buried under sandy earth
And a deep load of fallen autumn leaves.
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Reflections from the Mediterranean.
Almavk
Almavk
In G3 major.
.
The painting palette is a beauty.
In an abstract sing-song way.
The birth of colourful ideas.
On to a place in a more formal way.
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Reflections from the Mediterranean.
Reremeso
Reremeso
In F3 major.
.
A bed of pine needles.
On a hard sloppy dry crack bed.
In arcs of rhythmic planes of waves.
Playing their shade of greys in the sunlight shade.
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Reflections from the Mediterranean..
Gammyes
Gammyes.
In G major.
.
The internet is down again.
Not to worry, the CD is at hand.
Clarinet Concertos No1 and No2.
Carl Maria von Weber, please play it again!
.
Reflections from the Mediterranean.
Nedoavi
Nedoavi.
In E major.
.
It’s a case of profiteering slander.
A verbal injury to the dead.
On behalf of their honour
Restitution has to be paid.
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Reflections from the Mediterranean.
Idofalia
Idofalia
In D major.
.
Rowing up the river.
On a small wooden boat.
The world passes downstream.
As moments lose their gloss.
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Reflections from the Mediterranean.