Acuoloey.
In D major.
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A long swing of a melody
On a controlled breath of air
A shine onto the audience
Clinging to its conclusion end.
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Reflection from the Mediterranean.
Acuoloey
Tag Archives: Ielmeo
Lietomina
Lietomina.
In G Major.
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Within the immediate circle
Between the four walls
Opening out the inner window
Refreshing for the time still got.
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Reflection from the Mediterranean.
Eillem
Eillem.
In A major.
François Xavier Bazin (1824-1865) Was part of the Bazin dynasty. He studied and was much influenced by Dominique Peccatte and J.B. Vuillaume. Bazin taught the art of bow-making to his son Charles Nicolas Bazin. François was a master bow-maker yet made only a small number of bows, as a consequence that his bows being very rare.
Dolce Fine Violins.
Reflection from the Mediterranean.
Hyceola
Hyceola.
In B3 major.
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R. Weichold (1823-1902) was born in Dresden, Germany. His apprenticeship was with H.R. Pfretzschner (1856-1921) in Markneukirchen who was the last pupil of J.B. Vuillaume, and the leading bow maker of the French School in German at that time.
The Violin Connection of South Africa.
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Reflection from the Mediterranean.
Lleillmo
Lleillmo.
In D major.
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Christian Süss (1829-1900) In Lütgendorff he started making simple bows. At Christian Friedrich Knopf’s workshop, Süss learned the craft of bow-making. At later date, Christian Süss worked independently in Markneukirchen. However, he also worked for W.H. Hamming. Leipzig, and Weichold, E. Kessler, Berlin.
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The Violinist.
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Reflection from the Mediterranean.
Ielmeo.
Ielmeo.
In F major.
Joseph Henry (1823-1870) was a bow-maker born at Mirecourt also where he learnt the craft. Employed by both Chanot and latter by Peccatte. Then Joseph partnered with Simon and later set up his own shop. Sometimes his bows are stamped “Henry. Paris.”
Benning Violins.
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Reflection from the Mediterranean.