Veingeve.
Will the AI have the last laugh?
Pasquale Pericoli (2nd half of the 18thCentury)
Cello Sonata No.6 in A.
I. Allegro ♫
II. Largo ♫♫
III. Allegro
#Veingeve; #Faynini; #Yeofeno; #Yoyenfinn; #Messcello; #Aoroman; #Vobilosee; #Zardanlo; #Grissblea#Yenfinner; #Sebollnet; #Jeremous; #Toarjene; #Krevijonne; #Ilomeeta;
Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.
Today’s solo cello piece came out pretty good. It may be a bit unusual, but they never seem to come out right. There is that thing od missing, kind of air pockets. But today’s it has the characteristics that I am looking for. One can only improve from here.
The rippling effect.
Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?
It all comes down to expression and vocabulary.
New rhythms on the block, for the hammers, have long gone.
A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.
Interesting to note, that the musical scale does not have a morality code.
The tide is at the gates.
The orange door to the character.
Knotting of the Holy Grail.
Key, keylines and their meanings.
These series intertwine, in text and music.
Reflections from the Mediterranean.
Veingeve; Yeofeno; Yoyenfinn; Vobilosee; Grissblea; Yenfinner; Krevijonne; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;
