Tag Archives: Guerance

Vieweyu

Sometimes seen, sometimes heard.

Vieweyu.

In E minor.

Sometimes seen, sometimes heard.

Nicola Amati, (1596-1684). Italian master luthier from Cremona, Italy From the Casa Amati.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Music instruments still sanding.

The palette is bigger than the painting.

History through the mirror.

Today’s solo cello piece is pretty interesting.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Webtesy

The palette is bigger than the painting.

Webtesy.

In E minor.

The palette is bigger than the painting.

Paolo Maggini (1581 – 1632). Credited with one of the early bass violin designers.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

History through the mirror.

Today’s solo cello piece is not bad at all.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Shelgess

The words sung gracefully from the lazy pages.

Shelgess.

In D major.

#Webtesy; #Viewyu;

The words sung gracefully from the lazy pages.

Casparo da Salo (1549 – 1609). Early cello creator.

History through the mirror.

Today’s solo cello piece, miss out.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Elyio

History through a mirror.

Elyio.

In D major.

History through the mirror.

Andrea Amati (1549 – 1609) was an early cello creator.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Today’s solo cello is only a few bars, time!!!!!!

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Faynini

A bird and a fish only move forward.

Faynini.

Today and yesterdays are both in F major.

A bird and a fish only move forward.

#Faynini; #Mimloco; #Chopee; #Yolligri; #Guerance; #Chemmole; #Milldit; #Virsigor; #Aeropman; #Fandoriff; #Faynini#; Yoyenfinn; #Aoroman; #Simalli

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Today’s solo cello piece is pretty interesting. I mean it’s got to go a long way.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Mimloco

Words that have ventured out.

Mimloco.

In F major.

Words that have ventured out.

#Mimloco; #Chopee; #Faynini; #Yolligri; #Guerance; #Chemmole; #Milldit; #Virsigor; #Aeropman #Fandoriff; #Faynini#Yoyenfinn; #Aoroman; #Simalli

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Today’s solo cello piece, it has a great beat and is catchy with potential. But could make it as a duo.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

The tide is at the gates.

The orange door to the character. 

Knotting of the Holy Grail.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.