Tag Archives: Halowspots

Noriorann

Growing old in a leafy block…

Noriorann.

In F major.

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Growing old in a leafy block

translucent pages numbered all

waiting for the summoned call.

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Lorenzo Storioni (1769-1799) another Cremona master modelling Joseph Guarnerius.

Old Violins – John Grant.

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Portal musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Alphabet letters at play

round and round with a verve

look at them turn

musical chairs we go.

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Rippling words

fresh with scent

fanning, those flickering flames.

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Refection from the Mediterranean.

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Hoelgein

Alphabet letters at play…

Hoelgein.

In G major.

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Alphabet letters at play

round and round with verve

look at them turn

musical chairs we go.

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Alfred Coletti (1878-1929). A Viennese master luthier.

Dorotheum.

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Portal musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Rippling words

fresh with scent

fanning, those flickering flames.

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Refection from the Mediterranean.

Maimauly

7+7 viola d’amore.

Maimauly.

In C major.

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Daniel Achatius Stadlmann (1680-1744) founder of the Viennese dynasty of luthiers. He had the title of Court Violin and Lute Maker in 1785. Daniel and his son Johann Joseph (1720-1781) produced viola d’amore, they had the benefits of the finest wood of the trade and high standards for the 7+7 viola d’amore.

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Vintage Instruments.

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Ideologies and losing money don’t mix.

Refection from the Mediterranean.

Thajior

The tone is the king, of the musical instrument.

Thajior.

In D major.

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The tone is the king of the musical instrument.

One of the earliest know paintings of a violin was painted by Gaudenzio Ferrari (1480-1546),

We find this in “La Madonna Degli Aranci’ (Madonna of the Orange Trees), 1529-30.

on the wall in the Church of St. Christopher in Vercelli.

Kunstmatrix.

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Portal musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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The sounds of the cicada

on a lazy hot summer’s day

drunk on their instincts

searching for their mate.

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Call my name

for I am name

high or low, fast or slow

I, name, on your lips, say my name.

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Ideologies and losing money don’t mix.

Refection from the Mediterranean.

Ileysna

In a seemingly disguising way …

Ileysna.

In C minor.

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In a seemingly disguising way

that enduringly follows you everywhere

you know so intimately, and so well

when the lights are on, it’s there.

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Albani Mattias 0f Bozen (1621-1712) was a highly regarded luthier of the Tyrolese School of luthiers.

Andrew Hooker Violins.

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Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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The naked sky

not a cloud or a fly

neither a sound nor a cry

day or night

before or after time.  

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Don’t ask the bird

in full daylight with a breeze

darkness is not sought after

for the bird to sleep and dream.

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Out of the darkness, light’s desire was to be born.

Ideologies and losing money don’t mix.

Refection from the Mediterranean.

Roibjien

Don’t ask the bird…

Roibjien.

In A minor.

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Don’t ask the bird

In full daylight with a breeze

Darkness is not sought after

For the bird to sleep and dream.

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Daniel Parker was a highly gifted British luthier of the 17-18th centuries (?). His fiddles have a very strong British character to them.

Rev. Wm. M. Morris, B.A. #Roibjien; #Musicpainting; #Ubvioun; #Maybuen; #Aneautto; #Samresann;

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Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Sounds as straight as an arrow

True to only to the self

Pressing on its habit

Its meanings blends with days.

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Discover the fire within the sound

Catching you while minding drunk

Experience the beauty of its characteristic light

lute’s a sweet voice and alluring sound.

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Out of the darkness, light’s desire was to be born.

Ideologies and losing money don’t mix.

Refection from the Mediterranean.

Ubvioun

Sounds as straight as an arrow…

Ubvioun

In F minor.

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Sounds as straight as an arrow

True to only to the self

Pressing on its habit

Its meanings blends with days.

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Edward Pamphilon (1646-1700) was an English luthier and,  with Thomas Urquhart, they formed the London School.

Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Discover the fire within the sound

Catching you while minding drunk

Experience the beauty of its characteristic light

lute’s a sweet voice and alluring sound.

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“I am here” the author proclaimed,

“Still alive and looking well,

the ink has cracked

yet, you could still hear me well”.

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Out of the darkness, light’s desire was to be born.

Ideologies and losing money don’t mix.

Refection from the Mediterranean.

Maybuen

The eloquence of a falling flower…

Maybuen.

In D Major.

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The eloquence of a falling flower

No great thunder or a great roar

It sails effortlessly from its post

Then gently with balance and beauty, falls.

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John Baker (1680-1720) was an English who made viols and at a late later stage few violins.

Rev. WM. M. Morris, B.A.

Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Discover the fire within the sound

Catching you while minding drunk

Experience the beauty of its characteristic light

lute’s a sweet voice and alluring sound.

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“I am here” the author proclaimed,

“Still alive and looking well,

the ink has cracked

yet, you could still hear me well”.

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Out of the darkness, light’s desire was to be born.

Ideologies and losing money don’t mix.

Refection from the Mediterranean.

Aneautto

Discover the fire within the sound…

Aneautto.

In F-sharp major.

Discover the fire within the sound

Catching you while minding drunk

Experience the beauty of its characteristic light

lute’s sweet voice and alluring sound.

Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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“I am here” the author proclaimed,

“Still alive and looking well,

the ink has cracked

yet, you could still hear me well”.

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Out of the darkness, light’s desire was to be born.

Ideologies and losing money don’t mix.

Refection from the Mediterranean.

Wiamoh

In a neat and orderly fashion…

Wiamoh.

In E minor.

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In a neat and orderly fashion

There are many and too hard to state

Covering every page corner

In unison they state.

Nothing to inquire or overheard

Strolling eyes reads the telling’s edge

Make of it what they indicate

Their take-ins of the moment stay

Yet we’re bonded and doomed to this page.

Only one word that’s all I can say.

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John William Owen (1883-1933) was a British luthier whose talent was across the board, covering the making of bows, violins, violas, violoncellos, and double-basses.

William Meredith Morris

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Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Time is no leisure

To write what’s inside

It is slippery, subsiding, and demanding, it’s the end result.

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The silence that one knows, silence 

who speaks, who knows?

write high, write low, then you will know.

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Out of the darkness, light’s desire was to be born.

Ideologies and losing money don’t mix.

Refection from the Mediterranean.