Tag Archives: Halowspots

Fuwese

Listen, a lower star, wondering further down the road to heaven.

Fuwese.

In G minor.

Listen, a lower star, wondering further down the road to heaven.

John Betts (1752-1823) was a British luthier and importer of Italian instruments of the highest-calibre. Benjamin Hebbert Violins.

Musicpainting Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Empty waves on a silver moonlight, rippling on.

A buzzing flying light, at the dead of night – a flash of light – empty and silent.

Musical notes are beautiful but their boundaries are supreme.

If one turns to the world’s corner where it would lead?

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

The language of music hovers and whips the souls. The light threads ahead.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Pugiedian

Empty waves a silver moonlight, rippling on.

Pugiedian.

In C minor.

Empty waves on a silver moonlight, rippling on.

John “Kew” Dodd (1752-1839) was one of the finest archetiers in Britain. Was an innovator and an outstanding precision craftsman. Corilon Violins.

Musicpainting Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

A buzzing flying light, at the dead of night – a flash of light – empty and silent.

Musical notes are beautiful but their boundaries are supreme.

If one turns to the world’s corner where it would lead?

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

The language of music hovers and whips the souls. The light threads ahead.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Ellolirie

Sympathies to the exile after defeat yet the winds blow irregularly.

Ellolirie. 

In F major.

Sympathies to the exile after defeat yet the winds blow irregularly.

If one turns to the world’s corner where it would lead?

Francois Chanot (1788- 1825) was a French naval engineer who turned his redesigning the violin with simplified f-holes and a cornerless body design.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Young paint blows, with rhythms bouse and flows, yet tightens as grows old.

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

The language of music hovers and whips the souls. The light threads ahead.

A petal’s flight with graceful glide upon a cool morning spill.

When music is heard things pick up, with little wiggles here and there.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

What is the carbon credit for the arts?

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Newenen

The language of music hovers and whips the souls. The light threads ahead.

Newenen.

In B flat minor.

The language of music hovers and whips the souls. The light threads ahead.

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

A petal’s flight and graceful glide upon a cool morning spill.

When music is heard things pick up, with little wiggles here and there.

There must be an engineer out-there who can develop an electronic colour mixing paint brush. 

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Slowly rowing ores of time, blink, blinking eyes on, row, row.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Ayyeffi

A petal’s flight and graceful glide upon a cool morning spill.

Ayyeffi.

In E-flat minor.

A petal’s flight and graceful glide upon a cool morning spill.

Jean Baptiste Vuillaume (1798-1875) was a French luthier and inventor with a scientific approach to violin making. Smithsonian.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

When music is heard things pick up, with little wiggles here and there.

There must be an engineer out-there who can develop an electronic colour mixing paint brush. 

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Slowly rowing ores of time, blink, blinking eyes on, row, row.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean.

Godilann

When music is heard things pick up, with little wiggles here and there.

Godilann.   

In E flat major.

When music is heard things pick up, with little wiggles here and there.

Johann Angon Gedler (1725-1790) was a luthier from Füssen Germany. It is very little is known about him. Bennings Violins.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

There must be an engineer out-there who can develop an electronic colour mixing paint brush. 

Bow high, dive hard like an eagle in the sky.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Slowly rowing ores of time, blink, blinking eyes on, row, row.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Lynmedi

The river of tears from the zones of waste of war barren the youth.

Lynmedi.

In F major.

The river of tears from the zones of waste of war barren the youth.

Francois Tourte (1747-1835) was a Frenchman widely credited with the invention of the modern violin bow. Benning Violins.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Slowly rowing ores of time, blink, blinking eyes on, row, row.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

Open skies, open grounds, open seas, open eyes and open hearts.

Today’s composition was a toss-between composition.

The band marched in a trance of silence behind, the bulging rain.

A nameless bird call awakes me with thoughts of you.

Behind locked thick iron doors, words still slipped through.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Uethsyn

Slowly rowing ores of time, blink, blinking eyes on, row, row.

Uethsyn

In G-sharp minor.

Slowly rowing ores of time, blink, blinking eyes on, row, row. ( fade away)

Franz Geissenhof (1753 –1821) from Füssen Germany was considered as the Viennese Stradivari.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

Open skies, open grounds, open seas, open eyes and open hearts.

Today’s composition was a toss-between composition.

The band marched in a trance of silence behind, the bulging rain.

A nameless bird call awakes me with thoughts of you.

With a smile, I was looking for a secret in the morning thread.

Behind locked thick iron doors, words still slipped through.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Vobellis

Open skies, open grounds, open seas, open eyes and open hearts.

Vobellis.

In B major.

  Open skies, open grounds, open seas, open eyes and open hearts.

David Tecchler (1666-1748) was a German luthier whose work was mainly in Germanic or Italian style of construction. Wiki.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Today’s composition was a toss-between composition.

What you may consider your ghost, could be this musical sculptural space in G-flat minor.

The band marched in a trance of silence behind, the bulging rain.

A nameless bird call awakes me with thoughts of you.

And the brightest planet tonight is Venus, congratulation!

With a smile, I was looking for a secret in the morning thread.

Gilded words of wisdom in a hall of dark cold cobwebs.

Behind locked thick iron doors, words still slipped through.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Qeyroina

It was a toss-up between compositions.

Qeyroina.

In G-flat minor.

Today’s composition was a toss between composition #5 of 3-10-22 and #4 of 6-10-22.

Simon Straub (1662-1730) violin luthier of Alemannic School. Wikipedia.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

What you may consider your ghost, could be this musical sculptural space in G-flat minor.

The band marched in a trance of silence behind, the bulging rain.

A nameless bird call awakes me with thoughts of you.

And the brightest planet tonight is Venus, congratulation!

With a smile, I was looking for a secret in the morning thread.

Gilded words of wisdom in a hall of dark cold cobwebs.

Although the ashes were blown away, the voice remained.

Behind locked thick iron doors, words still slipped through.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean.