Polostiya.
In A major.
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Rippling words
fresh with scent
fanning, those flickering flames.
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Johann Ulrich Eberle (1699-1768) was a luthier and a follower of Stainer. He was highly sought after being one of the finest Prague school makers.
Lute Society of America
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Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Maimauly.
In C major.
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Daniel Achatius Stadlmann (1680-1744) founder of the Viennese dynasty of luthiers. He had the title of Court Violin and Lute Maker in 1785. Daniel and his son Johann Joseph (1720-1781) produced viola d’amore, they had the benefits of the finest wood of the trade and high standards for the 7+7 viola d’amore.
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Vintage Instruments.
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Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Rejeann.
In E major.
A Viola d’amore can be quite a sophisticated wind instrument, by comparison to our believed violin, viola and cello. Take for example Anthony Posch, Vienna ca (1677-147), they seem to be a class of their own.
International Viola d’amore Society e.V.
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Portal musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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The sounds of the cicada
on a lazy hot summer’s day
drunk on their instincts
searching for their mate.
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ideologies and losing money don’t mix.
Refection from the Mediterranean.
Ialisteiu.
In F major.
Luigi Tarisio (1790- 1845) was born with a passion for violin making and its artistic value. With an uncanny eye for high quality, he became a trader and a collector of violins.
Tarisio Fine Instruments and Bows
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Portal musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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The sounds of the cicada
on a lazy hot summer’s day
drunk on their instincts
searching for their mate.
.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Ionofy.
In G major.
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The sounds of the cicada
on a lazy hot summer’s day
drunk on their instincts
searching for their mate.
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François Fent (1733-1796) was from Füssen, Germany a highly talented master, who made a great name in Paris.
Violin Docs
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Portal musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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Call my name
for I am name
high or low, fast or slow
I, name, on your lips, say my name.
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Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Boircio.
In D minor.
Rusting hinges and the doors have gone by
fresh airy windows open wide
painted walls of memories fading out
the roof is the clear open sky.
Hendrik Jacobs (1629-1704) in the 17th century is regarded as the highest of the Dutch violin makers.
Hendrik Jacobs Foundation.
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Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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In a seemingly disguising way
That enduringly follows you everywhere
You know so intimately, and so well
When the lights are on, it’s there.
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The naked sky
not a cloud or a fly
neither a sound nor a cry
day or night
before or after time.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Roibjien.
In A minor.
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Don’t ask the bird
In full daylight with a breeze
Darkness is not sought after
For the bird to sleep and dream.
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Daniel Parker was a highly gifted British luthier of the 17-18th centuries (?). His fiddles have a very strong British character to them.
Rev. Wm. M. Morris, B.A. #Roibjien; #Musicpainting; #Ubvioun; #Maybuen; #Aneautto; #Samresann;
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Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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Sounds as straight as an arrow
True to only to the self
Pressing on its habit
Its meanings blends with days.
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Discover the fire within the sound
Catching you while minding drunk
Experience the beauty of its characteristic light
lute’s a sweet voice and alluring sound.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Maybuen.
In D Major.
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The eloquence of a falling flower
No great thunder or a great roar
It sails effortlessly from its post
Then gently with balance and beauty, falls.
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John Baker (1680-1720) was an English who made viols and at a late later stage few violins.
Rev. WM. M. Morris, B.A.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
.
Discover the fire within the sound
Catching you while minding drunk
Experience the beauty of its characteristic light
lute’s a sweet voice and alluring sound.
.
“I am here” the author proclaimed,
“Still alive and looking well,
the ink has cracked
yet, you could still hear me well”.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Aneautto.
In F-sharp major.
Discover the fire within the sound
Catching you while minding drunk
Experience the beauty of its characteristic light
lute’s sweet voice and alluring sound.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
.
“I am here” the author proclaimed,
“Still alive and looking well,
the ink has cracked
yet, you could still hear me well”.
.
Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Byrose
In A minor.
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Words conversed and agree
on how their line-up ought to be
mirroring the spirit of the thought they will reveal.
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Henry Jaye was an early English 17th-century viol maker. His name was recorded from 1606 till 1636.
Michael Dollendorf.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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The word has spoken
before dreams became sounds
like clouds without borders, leaving empty skies.
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Your tune is sublime
deep springs blossom inside
yet tunes are not true, well advised.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.