Tag Archives: Infusberry Paper

Flomneous

Words that shock time…

Flomneous

In C major.

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Words that shock time

come to visit from time to time

cranking up the clock up and up.

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Caspar Hopf (1650-1711) was a luthier from Klingenthal, Germany was a founder member of the Graslitz violin Guild and of Hopf School.

Corilon Violins.

Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Arching timber bridge

over pond Koi-filled

waterfall dreams swimming in.

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On a quite clear sky day

clouds lifted and cleared out

leaving no remembrance of them behind.

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Musical notes are beautiful but their boundaries are supreme.

These musical paintings should be viewed with an eye-sense of music.

Ideologies and losing money don’t mix.

Refection from the Mediterranean. 

Ilnieko

The dry daybreak left behind …..

Ilnieko.

In E minor.

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The dry daybreak left behind

water runs, water flows

west, at the evening songs

the rains and the rivers flow.

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Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

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Years have done their deed

 by the looks of the old oak trees

 green leaves breathe in the summer heat.

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The golden nights of a thousand moonlights, dreamt away by the sea.

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Time and tide

day or night

time and tide

rain or shine.

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The auctioneer found the bidder by the eye before the bidder’s call vibrated the eardrums.

The steady pace of the clock tick-tock, tick-tock picks up in the twilight of the day.

Aliens in my soup, is it the time or is it that late?

Don’t count the hours, grain of sand, starry, or old late nights.  

Listen, a lower star, wondering further down the road to heaven.

Empty waves on a silver moonlight, rippling on.

Musical notes are beautiful but their boundaries are supreme.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Out of the darkness, light’s desire was to be born.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Mearinkia

Aliens in my soup, is it the time or is it late?

Mearinkia

In D minor.

Aliens in my soup, is it the time or is it that late?

Pierre Simon (1808-1881) was a French Archetier and most bows are branded as Simon.

Martin Swan Violins.

Musicpainting Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Don’t count the hours or the grain of sand, starry or the late old nights.   

Listen, a lower star, wondering further down the road to heaven.

Empty waves on a silver moonlight, rippling on.

Musical notes are beautiful but their boundaries are supreme.

The language of music hovers and whips the souls. The light threads ahead.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Kholonsa

Don’t count the hours or the grain of sand, starry or the late nights.

Kholonsa.

In D major.

Don’t count the hours or the grain of sand, starry or the late old nights.   

William Foster II (Foster Sr., “Old” 1739-1808) was a British luthier who created a violin “Royal George” for the King. Johnson Strings and Instruments.

Musicpainting Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Listen, a lower star, wondering further down the road to heaven.

Empty waves on a silver moonlight, rippling on.

A buzzing flying light, at the dead of night – a flash of light – empty and silent.

Musical notes are beautiful but their boundaries are supreme.

The language of music hovers and whips the souls. The light threads ahead.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Fuwese

Listen, a lower star, wondering further down the road to heaven.

Fuwese.

In G minor.

Listen, a lower star, wondering further down the road to heaven.

John Betts (1752-1823) was a British luthier and importer of Italian instruments of the highest-calibre. Benjamin Hebbert Violins.

Musicpainting Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Empty waves on a silver moonlight, rippling on.

A buzzing flying light, at the dead of night – a flash of light – empty and silent.

Musical notes are beautiful but their boundaries are supreme.

If one turns to the world’s corner where it would lead?

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

The language of music hovers and whips the souls. The light threads ahead.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Dyvollie

Light is more than a belly of water, it’s terra firma, solid, firm and dependable.

Dyvollie.

In G major.

Light is more than a belly of water, it’s terra firma, solid, firm and dependable.

These musicpaintings are freshly composed every day.

Musicpainting Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Empty waves on a silver moonlight, rippling on.

A buzzing flying light, at the dead of night – a flash of light – empty and silent.

Musical notes are beautiful but their boundaries are supreme.

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

The language of music hovers and whips the souls. The light threads ahead.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Supenlie

Musical notes are beautiful but their boundaries are supreme.

Supenlie.

In F minor.

Musical notes are beautiful but their boundaries are supreme.

François–Nicolas Voirin (1833-1885) was an important French archetier (bowmaker) of the middle half of the 19th century. Darnton &Hersh.

Musicpainting Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Sympathies to the exile after defeat yet the winds blow irregularly.

If one turns to the world’s corner where it would lead?

Young paint blows, with rhythms bouse and flows, yet tightens as grows old.

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

The language of music hovers and whips the souls. The light threads ahead.

A petal’s flight with graceful glide upon a cool morning spill.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

What is the carbon credit for the arts?

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Elmewoe

Young paint blows, with rhythms bouse and flows, yet tightens as grows old.

Elmewoe.

In B flat major.

Young paint blows, with rhythms bouse and flows, yet tightens as grows old.

Simpert Niggle (1710-1785 was a luthier from Füssen German, but little is known. However, “Neuschwanstein” Castle is near Füssen.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

In Australia and Canada, there is such a thing as Musical Instrument Banks, and in other counties?

The language of music hovers and whips the souls. The light threads ahead.

A petal’s flight with graceful glide upon a cool morning spill.

When music is heard things pick up, with little wiggles here and there.

There must be an engineer out-there who can develop an electronic colour mixing paint brush. 

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Slowly rowing ores of time, blink, blinking eyes on, row, row.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Godilann

When music is heard things pick up, with little wiggles here and there.

Godilann.   

In E flat major.

When music is heard things pick up, with little wiggles here and there.

Johann Angon Gedler (1725-1790) was a luthier from Füssen Germany. It is very little is known about him. Bennings Violins.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

There must be an engineer out-there who can develop an electronic colour mixing paint brush. 

Bow high, dive hard like an eagle in the sky.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Slowly rowing ores of time, blink, blinking eyes on, row, row.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music.

Refection from the Mediterranean. 

Polroya

There must be an engineer out-there who can develop an electronic colour mixing paint brush.

Polroya.

In A flat minor.

There must be an engineer out-there who can develop an electronic colour mixing paint brush.  

Gasparo Duiffopruggar (1514-1570) was a luthier burn in Füssen, Germany and settled in Lyon France.

Chordly Series 4. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Bow high, dive hard like an eagle in the sky.

The touch of sensitive fingers, the language of the souls, waves of music with flawless control.

These musical paintings should be viewed with an eye-sense of music.

Slowly rowing ores of time, blink, blinking eyes on, row, row.

What is the carbon credit for the arts?

Old fashion books, thoughts which are ironed down and pressed hard onto the pages.

A nameless bird call awakes me with thoughts of you.

Out of the darkness, light’s desire was to be born.

The arts, AI and friendly fire.

Ideologies and losing money don’t mix.

These series intertwine, in text and music. Refection from the Mediterranean.