Parucil
In G major.
.
Low and lower are the times
down the steady slope, it’s now
aware of the end and good times.
.
Musical notes are beautiful but their boundaries are supreme.
These musical paintings should be viewed with an eye-sense of music.
Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Kofeelio.
In B-flat minor.
The alluring prospects
of a tipsily bee sail past
high on the god s nectar woozily by.
Johann Caspar Ficker (1744-1832) was a master luthier of Neukirchen Germany.
The MMN South Dakota
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
.
Words that shock time
come to visit from time to time
cranking up the clock up and up.
.
Arching timber bridge
over pond Koi-filled
waterfall dreams swimming in.
.
On a quite clear sky day
clouds lifted and cleared out
leaving no remembrance of them behind.
Musical notes are beautiful but their boundaries are supreme.
These musical paintings should be viewed with an eye-sense of music.
Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Flomneous
In C major.
.
Words that shock time
come to visit from time to time
cranking up the clock up and up.
.
Caspar Hopf (1650-1711) was a luthier from Klingenthal, Germany was a founder member of the Graslitz violin Guild and of Hopf School.
Corilon Violins.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
.
Arching timber bridge
over pond Koi-filled
waterfall dreams swimming in.
.
On a quite clear sky day
clouds lifted and cleared out
leaving no remembrance of them behind.
.
Musical notes are beautiful but their boundaries are supreme.
These musical paintings should be viewed with an eye-sense of music.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Lkasoun.
In A major.
.
Arching timber bridge
over Koi-filled pond
waterfall dreams swimming in.
.
Carlo Annibale Tononi (1675-1730) Was an Italian luthier and one of the foremost makers of the Venetian School.
Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
.
On a quite clear sky day
clouds lifted and cleared out
leaving no remembrance of them behind.
.
Straying across the page
sounds of ramblings heard
yet, the word’s truth hangs on.
.
The dry daybreak left behind
water runs, water flows
west, at the evening songs
the rains and the rivers flow.
.
Years have done their deed
by the looks of the old oak trees
green leaves breathe in the summer heat.
.
Time and tide
day or night
time and tide
rain or shine.
.
The steady pace of the clock tick-tock
tick-tock, tick-tock –!
the tick picks up the twilight of the day.
.
Musical notes are beautiful but their boundaries are supreme.
These musical paintings should be viewed with an eye-sense of music.
Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
.
Skylain.
In F major.
.
On a quite clear sky day
clouds lifted and cleared out
leaving no remembrance of them behind.
.
Sebastian Klotz (1696-1775) was from Mittenwald Germany he was a very influential luthier.
Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.F -sharp minor
.
Straying across the page
sounds of ramblings heard
yet, the word’s truth hangs on.
.
The dry daybreak left behind
water runs, water flows
west, at the evening songs
the rains and the rivers flow.
.
Years have done their deed
by the looks of the old oak trees
green leaves breathe in the summer heat.
.
Time and tide
day or night
time and tide
rain or shine.
.
The steady pace of the clock tick-tock
tick-tock, tick-tock –!
the tick picks up the twilight of the day.
.
Musical notes are beautiful but their boundaries are supreme.
These musical paintings should be viewed with an eye-sense of music.
Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Jreyfina.
In F-sharp minor.
.
Symbols in colour, forms and paint
a narrative out to work
read and listen while you play.
.
Eugène Cuniot-Hury (1861-1921) was a Mirecourt prolific archetier and bow maker who produced and copied many styles of bows.
R. Kimtipper & Associates Fine Violins.
.
Compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
.
Straying across the page
sounds of ramblings heard
yet, the word’s truth hangs on.
.
The dry daybreak left behind
water runs, water flows
west, at the evening songs
the rains and the rivers flow.
.
Years have done their deed
by the looks of the old oak trees
green leaves breathe in the summer heat.
.
Time and tide
day or night
time and tide
rain or shine.
.
The steady pace of the clock tick-tock
tick-tock, tick-tock –!
the tick picks up the twilight of the day.
.
Musical notes are beautiful but their boundaries are supreme.
These musical paintings should be viewed with an eye-sense of music.
Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.