Yaynra.
In B3 major.
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Smile and forget.
Troubles may have their ways
The oceans will still be there
A smile will get you on your way.
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Reflection from the Mediterranean.
Yaynra
Tag Archives: Lleillmo
Acuoloey
Acuoloey.
In D major.
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A long swing of a melody
On a controlled breath of air
A shine onto the audience
Clinging to its conclusion end.
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Reflection from the Mediterranean.
Wooneran
Wooneran.
In F major.
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A bird in the spring
Lively as if on springs
Don’t know its name
Yet, when it sees me, it sings.
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Reflection from the Mediterranean.
Lietomina
Lietomina.
In G Major.
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Within the immediate circle
Between the four walls
Opening out the inner window
Refreshing for the time still got.
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Reflection from the Mediterranean.
Aowemo
Aowemo.
In G major.
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The string courted the bow.
The bow courted the hand.
The hand courted the heart.
The heart wooed the soul.
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Reflection from the Mediterranean.
Eillem
Eillem.
In A major.
François Xavier Bazin (1824-1865) Was part of the Bazin dynasty. He studied and was much influenced by Dominique Peccatte and J.B. Vuillaume. Bazin taught the art of bow-making to his son Charles Nicolas Bazin. François was a master bow-maker yet made only a small number of bows, as a consequence that his bows being very rare.
Dolce Fine Violins.
Reflection from the Mediterranean.
Hyceola
Hyceola.
In B3 major.
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R. Weichold (1823-1902) was born in Dresden, Germany. His apprenticeship was with H.R. Pfretzschner (1856-1921) in Markneukirchen who was the last pupil of J.B. Vuillaume, and the leading bow maker of the French School in German at that time.
The Violin Connection of South Africa.
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Reflection from the Mediterranean.
Lleillmo
Lleillmo.
In D major.
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Christian Süss (1829-1900) In Lütgendorff he started making simple bows. At Christian Friedrich Knopf’s workshop, Süss learned the craft of bow-making. At later date, Christian Süss worked independently in Markneukirchen. However, he also worked for W.H. Hamming. Leipzig, and Weichold, E. Kessler, Berlin.
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The Violinist.
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Reflection from the Mediterranean.