Wooneran.
In F major.
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A bird in the spring
Lively as if on springs
Don’t know its name
Yet, when it sees me, it sings.
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Reflection from the Mediterranean.
Wooneran.
In F major.
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A bird in the spring
Lively as if on springs
Don’t know its name
Yet, when it sees me, it sings.
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Reflection from the Mediterranean.
Lietomina.
In G Major.
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Within the immediate circle
Between the four walls
Opening out the inner window
Refreshing for the time still got.
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Reflection from the Mediterranean.
Aowemo.
In G major.
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The string courted the bow.
The bow courted the hand.
The hand courted the heart.
The heart wooed the soul.
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Reflection from the Mediterranean.
Eillem.
In A major.
François Xavier Bazin (1824-1865) Was part of the Bazin dynasty. He studied and was much influenced by Dominique Peccatte and J.B. Vuillaume. Bazin taught the art of bow-making to his son Charles Nicolas Bazin. François was a master bow-maker yet made only a small number of bows, as a consequence that his bows being very rare.
Dolce Fine Violins.
Reflection from the Mediterranean.
Lleillmo.
In D major.
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Christian Süss (1829-1900) In Lütgendorff he started making simple bows. At Christian Friedrich Knopf’s workshop, Süss learned the craft of bow-making. At later date, Christian Süss worked independently in Markneukirchen. However, he also worked for W.H. Hamming. Leipzig, and Weichold, E. Kessler, Berlin.
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The Violinist.
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Reflection from the Mediterranean.
Ielmeo.
In F major.
Joseph Henry (1823-1870) was a bow-maker born at Mirecourt also where he learnt the craft. Employed by both Chanot and latter by Peccatte. Then Joseph partnered with Simon and later set up his own shop. Sometimes his bows are stamped “Henry. Paris.”
Benning Violins.
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Reflection from the Mediterranean.
Wintrya.
In G major.
Luthiers Sans Frontières (Luthiers Without Borders). Its mission is to provide repair services to musicians, orchestras and ensembles in areas where no local services are available mainly in developing countries.
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Reflection from the Mediterranean.