Tag Archives: Yenfinner

Messcello

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

Messcello.

In G Major.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

#Messcello; #Veingeve; #Yoyenfinn; #Aoroman; #Vobilosee; #Zardanlo; #Grissblea#Yenfinner; #Sebollnet; #Jeremous; #Toarjene; #Krevijonne; #Ilomeeta;

Chordly Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm.

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone

Interesting to note, that the musical scale does not have a morality code.

The tide is at the gates.

The orange door to the character. 

Knotting of the Holy Grail.

The weather has something for everyone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Vobilosee; Grissblea; Yenfinner; Krevijonne; Yoyenfinn; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;

Zardanlo

It all comes down to expression and vocabulary.

Zardanlo.

It all comes down to expression and vocabulary.

Pasquale Pericoli (2nd half of the 18th)

Cello Sonata No.5 in G minor.

I.  Allegretto ♫

II. Cantabile ♫ ♫

III. Allegro ♫♫♫

#Zardanlo; #Grissblea; #Messcello; #Yenfinner; #Sebollnet; #Yoyenfinn; #Jeremous; #Aoroman; #Toarjene; #Mosecello; #Krevijonne; #Ilomeeta; #Zervolay; #Woraleos; #Geelovenes; #Eymamdo; #Lankorko; #Ienrigari; #Schuwommo; #Vogustchi; #CelloAdventure;

Cello Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm.

New rhythms on the block, for the hammers, have long gone.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

Interesting to note, that the musical scale does not have a morality code.

The tide is at the gates.

Birds singing Beethoven 5th, what’s next?

The orange door to the character. 

The weather has something for everyone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Grissblea; Yenfinner; Krevijonne; Yoyenfinn; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;

Grissblea

New rhythms on the block, for the hammers have long gone.

Grissblea.

New rhythms on the block, for the hammers have long gone.

Pasquale Pericoli (2nd half of the 18th century)

Cello Sonata No.5 in G minor.

I.  Allegretto ♫

II. Cantabile ♫ ♫

III. Allegro

#Grissblea; #Yenfinner; #Sebollnet; #Yoyenfinn; #Jeremous; #Aoroman; #Toarjene; #Krevijonne; #Ilomeeta; #Zervolay; #Woraleos; #Geelovenes; #Eymamdo; #Lankorko; #Ienrigari; #Schuwommo; #Vogustchi; #CelloAdventure; #Keylines; #Yuranto; #Kemmenti;

Cello Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

Interesting to note, that the musical scale does not have a morality code.

The tide is at the gates.

The orange door to the character. 

Knotting of the Holy Grail.

The left foot in a footnote.

The weather has something for everyone.

The old record still playing the same old tune.

Key, keylines and their meanings.

These series intertwine, in text and music.

I don’t paint what I see, I paint what I think!

Reflections from the Mediterranean.

Grissblea; Yenfinner; Krevijonne; Yoyenfinn; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;

Yenfinner

A taste of summer nights in wine so blissful with cheers.

Yenfinner.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

Pasquale Pericoli (2nd half of the 18th century)

Cello Sonata No.5 in G minor.

I.  Allegretto ♫

II. Cantabile  

III. Allegro

#Yenfinner; #Sebollnet; #Yoyenfinn;  #Jeremous; #Aoroman; #Toarjene; #Krevijonne; #Ilomeeta; #Zervolay; #Woraleos; #Geelovenes; #Eymamdo; #Lankorko; #Ienrigari; #Schuwommo; #Vogustchi; #CelloAdventure; #Keylines; #Yuranto; #Kemmenti; #Lommonair; #Telmoow; #Hopemann;

Cello Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Interesting to note, that the musical scale does not have a morality code.

The tide is at the gates.

Birds singing Beethoven 5th, what’s next?

The orange door to the character. 

Knotting of the Holy Grail.

The left foot in a footnote.

The weather has something for everyone.

The old record still playing the same old tune.

Key, keylines and their meanings.

These series intertwine, in text and music.

I don’t paint what I see, I paint what I think!

Reflections from the Mediterranean.

Yenfinner; Krevijonne; Yoyenfinn; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting; Infusberry Paper; CelloAdventure;

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