Yeofeno
The rippling effect.
Pasquale Pericoli (2nd half of the 18thCentury)
Cello Sonata No.6 in A.
I. Allegro ♫
II. Largo
III. Allegro
#Yeofeno; #Yoyenfinn; #Messcello; #Veingeve; #Aoroman; #Vobilosee; #Zardanlo; #Grissblea#Yenfinner; #Sebollnet; #Jeremous; #Toarjene; #Krevijonne; #Ilomeeta;
Cello Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm
Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?
It all comes down to expression and vocabulary.
New rhythms on the block, for the hammers, have long gone.
A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.
Interesting to note, that the musical scale does not have a morality code.
The tide is at the gates.
The orange door to the character.
Knotting of the Holy Grail.
Key, keylines and their meanings.
These series intertwine, in text and music.
Reflections from the Mediterranean.
Yeofeno; Yoyenfinn; Vobilosee; Grissblea; Yenfinner; Krevijonne; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;