Category Archives: Art / Culture

Luismille

The halt of the thought by the round full stop.

Luismille.

In C minor.

The halt of the thought by the round full stop.

Giovanni Battista Guadagnini (1711-1786) Italian luthier of violin, guitars and mandolins.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Sundecy

The blue wide ocean lays open, where do I start?

Sundecy.

In D major.

The blue wide ocean lays open, where do I start?

Giovanni Paolo Maggini (1580-1630), was a luthier of violin and viola born in Botticino (Brescia), Italy.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

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Shadow Look

Shadows cover the creamy paint.

On the door in the corner, it stays.

That stops the eye’s view through.

A small round handle is there too.

West the window looks.

It a half shaded by a tree or two.

Lights between leave’s edges set foot.

Waved by a puff of wind, but smooth.

A pool of cottony light is through.

That summarises the window’s look.

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Violris

The wild winds of literature.

Violris.

In D major.

The wild winds of literature.

The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Renaissance to early Baroque.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

The palette is bigger than the painting.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Oblekk

Make it work for you.

Oblekk.

In B♭ minor.

Make it work for you.

Pietro Giovanni Guarneri (1655-1720), also known as Pietro da Mantua was a violin maker. From a musician Guarneri Family.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

I have learned to throw may ass to the wind and fart.

(I’ve mastered the skill of farting while flapping my ass.)

Sometimes seen, sometimes heard.

The palette is bigger than the painting.

History through the mirror.

Today’s solo cello piece, pretty interesting. I mean it’s got to go a long way.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Rebashca

There is little room, in an open sea.

Rebashca.

In G minor.

There is little room, in an open sea.

Bartolomeo Giuseppe Guarneri (1698-17440), known as de Gesu, is considered by some the greatest violinmaker of all time.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

The palette is bigger than the painting.

History through the mirror.

Today’s solo cello piece, pretty interesting. I mean it’s got to go a long way.

Words that have ventured out.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Fillorina

Ideologies and losing money don’t mix.

Fillorina.

In G minor.

Ideologies and losing money don’t mix.

Francesco Rugeri (1628 – 1698) is mainly known among other names.  From an important family of luthiers the Casa Rugeri, Cremona Italy.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Sometimes seen, sometimes heard.

The palette is bigger than the painting.

History through the mirror.

Words that have ventured out.

Will the AI have the last laugh?

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Vieweyu

Sometimes seen, sometimes heard.

Vieweyu.

In E minor.

Sometimes seen, sometimes heard.

Nicola Amati, (1596-1684). Italian master luthier from Cremona, Italy From the Casa Amati.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Music instruments still sanding.

The palette is bigger than the painting.

History through the mirror.

Today’s solo cello piece is pretty interesting.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Webtesy

The palette is bigger than the painting.

Webtesy.

In E minor.

The palette is bigger than the painting.

Paolo Maggini (1581 – 1632). Credited with one of the early bass violin designers.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

History through the mirror.

Today’s solo cello piece is not bad at all.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Shelgess

The words sung gracefully from the lazy pages.

Shelgess.

In D major.

#Webtesy; #Viewyu;

The words sung gracefully from the lazy pages.

Casparo da Salo (1549 – 1609). Early cello creator.

History through the mirror.

Today’s solo cello piece, miss out.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Elyio

History through a mirror.

Elyio.

In D major.

History through the mirror.

Andrea Amati (1549 – 1609) was an early cello creator.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Today’s solo cello is only a few bars, time!!!!!!

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.