Tag Archives: Tombloss

Codlee

Playfully and with care the bee whizzed through the hay.

Codlee.

In D-flat major.

Playfully and with care, the bee whizzed through the hay.

Johann Martin Stoss (1778-1838) luthier. Any info about Johann Martin Stoss please add to Wikipedia. Thanks.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Return back to the page the unspoken verse.

Hook on to every moment, as there is no loose time to lose.

Above my head, a sky-facing blue-painted window gazed.

Is it this, or is it that? Not here nor there. Choices, choices, choices for spinning heads.

To care for books is to read them and look.

Is the carrot a rabbit?

– Strange words in wine, blossomed through the night.

Ideologies and losing money don’t mix.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Sundecy

The blue wide ocean lays open, where do I start?

Sundecy.

In D major.

The blue wide ocean lays open, where do I start?

Giovanni Paolo Maggini (1580-1630), was a luthier of violin and viola born in Botticino (Brescia), Italy.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

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Shadow Look

Shadows cover the creamy paint.

On the door in the corner, it stays.

That stops the eye’s view through.

A small round handle is there too.

West the window looks.

It a half shaded by a tree or two.

Lights between leave’s edges set foot.

Waved by a puff of wind, but smooth.

A pool of cottony light is through.

That summarises the window’s look.

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