Tag Archives: Conmella

Codlee

Playfully and with care the bee whizzed through the hay.

Codlee.

In D-flat major.

Playfully and with care, the bee whizzed through the hay.

Johann Martin Stoss (1778-1838) luthier. Any info about Johann Martin Stoss please add to Wikipedia. Thanks.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Return back to the page the unspoken verse.

Hook on to every moment, as there is no loose time to lose.

Above my head, a sky-facing blue-painted window gazed.

Is it this, or is it that? Not here nor there. Choices, choices, choices for spinning heads.

To care for books is to read them and look.

Is the carrot a rabbit?

– Strange words in wine, blossomed through the night.

Ideologies and losing money don’t mix.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Indimrium

The weather does not lie.

Indimrium

In E-flat.

The weather does not lie.

Vincenzo Rugeri (1663-1719)Italian luthier of Cremona, of string instruments such as violin, cellos, and violas.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Every shadow has its light.

The halt of the thought by the round full stop.

The melody’s ghost is still present

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Thcoloc

Thcoloc.

Every shadow has its light.

In E-flat.

Every shadow has its light.

Carlo Bergonzi (1683-1747) Italian luthier and prominent member of the Bergonzi Family.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The halt of the thought by the round full stop.

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Samigzio

The shadow of the melody still lingering on

Samigzio.

In C minor.

The shadow of the melody still lingering on.

Ignazio Alessandro Cozio di Salabue (1755-1840) Italian count known as the first great connoisseur and collector of violins – wiki.

#Luismille; #Viannomu; #Vonanse; #Vonans; #Fulbsop; #Brecpine; #Conmella; #SF;

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The halt of the thought by the round full stop.

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Luismille

The halt of the thought by the round full stop.

Luismille.

In C minor.

The halt of the thought by the round full stop.

Giovanni Battista Guadagnini (1711-1786) Italian luthier of violin, guitars and mandolins.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Sundecy

The blue wide ocean lays open, where do I start?

Sundecy.

In D major.

The blue wide ocean lays open, where do I start?

Giovanni Paolo Maggini (1580-1630), was a luthier of violin and viola born in Botticino (Brescia), Italy.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

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Shadow Look

Shadows cover the creamy paint.

On the door in the corner, it stays.

That stops the eye’s view through.

A small round handle is there too.

West the window looks.

It a half shaded by a tree or two.

Lights between leave’s edges set foot.

Waved by a puff of wind, but smooth.

A pool of cottony light is through.

That summarises the window’s look.

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Violris

The wild winds of literature.

Violris.

In D major.

The wild winds of literature.

The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Renaissance to early Baroque.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

The palette is bigger than the painting.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.