Grissblea.
New rhythms on the block, for the hammers have long gone.
Pasquale Pericoli (2nd half of the 18th century)
Cello Sonata No.5 in G minor.
I. Allegretto ♫
II. Cantabile ♫ ♫
III. Allegro
#Grissblea; #Yenfinner; #Sebollnet; #Yoyenfinn; #Jeremous; #Aoroman; #Toarjene; #Krevijonne; #Ilomeeta; #Zervolay; #Woraleos; #Geelovenes; #Eymamdo; #Lankorko; #Ienrigari; #Schuwommo; #Vogustchi; #CelloAdventure; #Keylines; #Yuranto; #Kemmenti;
Cello Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm.
A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.
Interesting to note, that the musical scale does not have a morality code.
The tide is at the gates.
The orange door to the character.
Knotting of the Holy Grail.
The left foot in a footnote.
The weather has something for everyone.
The old record still playing the same old tune.
Key, keylines and their meanings.
These series intertwine, in text and music.
I don’t paint what I see, I paint what I think!
Reflections from the Mediterranean.
Grissblea; Yenfinner; Krevijonne; Yoyenfinn; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;