Tag Archives: Samsam Alphabet System

Indimrium

The weather does not lie.

Indimrium

In E-flat.

The weather does not lie.

Vincenzo Rugeri (1663-1719)Italian luthier of Cremona, of string instruments such as violin, cellos, and violas.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Every shadow has its light.

The halt of the thought by the round full stop.

The melody’s ghost is still present

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Thcoloc

Thcoloc.

Every shadow has its light.

In E-flat.

Every shadow has its light.

Carlo Bergonzi (1683-1747) Italian luthier and prominent member of the Bergonzi Family.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The halt of the thought by the round full stop.

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Samigzio

The shadow of the melody still lingering on

Samigzio.

In C minor.

The shadow of the melody still lingering on.

Ignazio Alessandro Cozio di Salabue (1755-1840) Italian count known as the first great connoisseur and collector of violins – wiki.

#Luismille; #Viannomu; #Vonanse; #Vonans; #Fulbsop; #Brecpine; #Conmella; #SF;

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The halt of the thought by the round full stop.

The blue wide ocean lays open, where do I start?

The wild winds of literature.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Violris

The wild winds of literature.

Violris.

In D major.

The wild winds of literature.

The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Renaissance to early Baroque.

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

The silent shadows.

Make it work for you.

There is little room, in an open sea.

Ideologies and losing money don’t mix.

Sometimes seen, sometimes heard.

The palette is bigger than the painting.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Vieweyu

Sometimes seen, sometimes heard.

Vieweyu.

In E minor.

Sometimes seen, sometimes heard.

Nicola Amati, (1596-1684). Italian master luthier from Cremona, Italy From the Casa Amati.

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Music instruments still sanding.

The palette is bigger than the painting.

History through the mirror.

Today’s solo cello piece is pretty interesting.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

It all comes down to expression and vocabulary.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Shelgess

The words sung gracefully from the lazy pages.

Shelgess.

In D major.

#Webtesy; #Viewyu;

The words sung gracefully from the lazy pages.

Casparo da Salo (1549 – 1609). Early cello creator.

History through the mirror.

Today’s solo cello piece, miss out.

Words that have ventured out.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Mimloco

Words that have ventured out.

Mimloco.

In F major.

Words that have ventured out.

#Mimloco; #Chopee; #Faynini; #Yolligri; #Guerance; #Chemmole; #Milldit; #Virsigor; #Aeropman #Fandoriff; #Faynini#Yoyenfinn; #Aoroman; #Simalli

Cello Series #3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Today’s solo cello piece, it has a great beat and is catchy with potential. But could make it as a duo.

Will the AI have the last laugh?

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

The tide is at the gates.

The orange door to the character. 

Knotting of the Holy Grail.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Veingeve

Will the AI have the last laugh?

Veingeve.

Will the AI have the last laugh?

Pasquale Pericoli (2nd half of the 18thCentury)

Cello Sonata No.6 in A.

I.  Allegro ♫

II. Largo ♫♫

III. Allegro

#Veingeve; #Faynini; #Yeofeno; #Yoyenfinn; #Messcello; #Aoroman; #Vobilosee; #Zardanlo; #Grissblea#Yenfinner; #Sebollnet; #Jeremous; #Toarjene; #Krevijonne; #Ilomeeta;

Cello Series 3. Acrylic Paint on Infusberry Paper, 240 x 333mm.

Today’s solo cello piece came out pretty good. It may be a bit unusual, but they never seem to come out right. There is that thing od missing, kind of air pockets. But today’s it has the characteristics that I am looking for. One can only improve from here.

The rippling effect.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

Interesting to note, that the musical scale does not have a morality code.

The tide is at the gates.

The orange door to the character. 

Knotting of the Holy Grail.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Veingeve; Yeofeno; Yoyenfinn; Vobilosee; Grissblea; Yenfinner; Krevijonne; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;

Yeofeno

The rippling effect.

Yeofeno

The rippling effect.

Pasquale Pericoli (2nd half of the 18thCentury)

Cello Sonata No.6 in A.

I.  Allegro ♫

II. Largo

III. Allegro

#Yeofeno; #Yoyenfinn; #Messcello; #Veingeve; #Aoroman; #Vobilosee; #Zardanlo; #Grissblea#Yenfinner; #Sebollnet; #Jeremous; #Toarjene; #Krevijonne; #Ilomeeta;

Cello Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone.

A taste of summer nights in wine so blissful with cheers. All so clear, all ensue.

Interesting to note, that the musical scale does not have a morality code.

The tide is at the gates.

The orange door to the character. 

Knotting of the Holy Grail.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Yeofeno; Yoyenfinn; Vobilosee; Grissblea; Yenfinner; Krevijonne; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;

Messcello

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

Messcello.

In G Major.

Who is exploiting whom? Is it the model, the artist, the audience, the question or the response?

#Messcello; #Veingeve; #Yoyenfinn; #Aoroman; #Vobilosee; #Zardanlo; #Grissblea#Yenfinner; #Sebollnet; #Jeremous; #Toarjene; #Krevijonne; #Ilomeeta;

Chordly Series 2. Acrylic Paint on Infusberry Paper, 240 x 333mm.

It all comes down to expression and vocabulary.

New rhythms on the block, for the hammers, have long gone

Interesting to note, that the musical scale does not have a morality code.

The tide is at the gates.

The orange door to the character. 

Knotting of the Holy Grail.

The weather has something for everyone.

Key, keylines and their meanings.

These series intertwine, in text and music.

Reflections from the Mediterranean.

Vobilosee; Grissblea; Yenfinner; Krevijonne; Yoyenfinn; Sebollnet; Jeremous; Aoroman; Toarjene; Ilomeeta; Zervolay; Woraleos; Cubicmusic; Musicpainting;