Swennce.
In C major.
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The golden varnishes.
Underneath the bridge
Inside with the soundpost ‘
Echoed the Beau Idéal.
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Nicola Gaglian (1740-1780) was the second son of Alessandro his other son was Gennaro (1740-1780) a family of well-known luthiers. Alessandro has worked with both Stradivarius and Guarnerius del Gesu. Nicolo was a very prolific violin-maker from 1740-1780.
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The Violin Shop.
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Reflections from the Mediterranean.
Naonoli.
In F major.
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Like a golden drop rippling
In a cool pool of fresh waters
The triangle chimes its time way
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François “Prosper” Colas (1842-1918) was a French bow-maker however, he also made violas and cellos. While working for Master bow-makers he traded under his own label.
J.R Music Supply.
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Reflections from the Mediterranean.
Ourphoee.
In E major.
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The oboe declares the concert tune
As the orchestra gets onboard too
Sweet swing tune, where to find you?
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Caspar Tieffenbrucker (1514-1571) was born in Tiefenbruck in the Füssen an important lute-making region. Around 1550, Caspar settled in Lyon to the house of honours. As Füssen was the centre of lute-making around that period and the art of lute-making is known to have been practised since 1436.
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Reflections from the Mediterranean.
Caelovio.
In A major.
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Drum (moderate).
Boom-Bah-Bah-Bah-Boom.
Boom-Bah-Bah-Boom.
Bah-Bah-Bah-Bah-Boom.
Bahh-Boomm.
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August Guth (1840-1888) luthier, Belgium Antwerp School. Made mostly Stradivarian, Maggini and other styles. His varnish blends were of his own creation.
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Reflections from the Mediterranean.
Zloleser.
In F-sharp minor.
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Rolls of welcoming carpet
Of text mischievous delight
Weaved past your wild lustful eyes.
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John Ross (1530-1597) was a leading viol maker with his son also John Ross (1560-1611) in London in their times.
V&A. Victoria and Albert Museum.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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A dual of wills
as the blank page steely reflects
at the dripping sweat before the ink hits back.
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Words slip and slide
between the lips comes the sound
embedded with inadequate of what is on the mind.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Rozzulen.
In E Major.
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A dual of wills
as the blank page steely reflects
at the dripping sweat before the ink hits back.
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Thomas Urquhart (1650- 1680) English or Scottish violin maker of very fine tone with intriguingly worked scroll.
Oxford Music on Line.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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Words slip and slide
between the lips comes the sound
embedded with inadequate of what is on the mind.
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Only time can tell
If the heavens will still be there
Yet time, forgotten that it was there.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Bomenciem.
In C minor.
(No! it’s not Verdi’s Messa da Requiem, Dies Irae)
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Words slip and slide
between the lips comes the sound
embedded with inadequate of what is on the mind.
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Adam I. Voigt (1674-1737) was a German violin maker and later of guitars.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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Only time can tell
If the heavens will still be there
Yet time, forgotten that it was there.
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The river of light
bathe all and illuminate
to step once in time to die away.
.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Jelvurie.
In F Major.
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Only time can tell
if the heavens will still be there
yet time, forgotten that it was there.
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Giorgio Bairhoff (1712-1763) was a German lutherie who moved to Naples and made a small number of known violins.
Oxford Music Online.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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The river of light
bathe all and illuminate
to step once in time to die away.
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Signs of elegance and gleam
A touch of hesitant here and there
To publish, stamp, and be damned.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Ufelgoo.
In D major.
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Signs of elegance and gleam
a touch of hesitant here and there
to publish, stamp, and be damned.
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Walter Plain (1808-1880) was a Scottish lutherie who set up violin making shop in Glasgow. His work consisted mainly of violins and a small number of cellos.
Wright Violins.
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
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The reader reads
the lines the author leaves behind
with shades of different reeds.
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Think like it is not you
from a cloud to something new
it happens in a moment that’s you.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.
Tioneteu.
In E-flat minor.
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The reader reads
the lines the author leaves behind
with shades of different reeds.
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José Contreras (1730-1779) nicknamed “El Granadino”, was a Spanish lutherie who did his apprenticeship in Italy, building violins and later guitars.
Zavaleta’s
Musicpainting compositions. Acrylic Paint on Infusberry Paper, 240 x 333mm.
.
Think like it is not you
from a cloud to something new
it happens in a moment that’s you.
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Under the sea, the gas whirring flowed
between the steel walls built strong
the rabbit popped up, when the timer exhausted.
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Out of the darkness, light’s desire was to be born.
Ideologies and losing money don’t mix.
Refection from the Mediterranean.